6th Reportage Grant

-Program Overview


Eyes on Main Street selects each year ONE PHOTOGRAPHER who receives a $2,000 reportage grant. The goal of this grant is to build a strong photographic portfolio that will be on display during the following edition of our festival.

Eyes on Main Street has become, in ten years, a sought-after festival, popular among global photographers including Sebastião Salgado, Lua Ribeira, Eugene Richards, Mary Ellen Mark, Raymond Depardon, Maggie Steber, Stephen Shore, Susan Meiselas, William Klein and Oh Soon-Hwa, who have participated in the annual exhibitions and public programs.


The grant application portal is open. Please read the guidelines before applying.

Candidates submit a digital portfolio, with a link to their website, it is a requirement, and a brief cover letter with the application FORM to:


The next grant reportage grant will be available in March 2024


No Entry Fee


Jerome De Perlinghi

Artistic Director

-Eyes on Main Street Photo Reportage Grant 2023 recipients:

Serra Akcan;

Fatma Çelik;

Aylin Kizil

Çiğdem Üçüncü

Representing the ZinKolektif

After the Earthquakes

ZînKolektif consists of Aylin Kızıl, Fatma Çelik, Serpil Polat, Gülşin Ketenci, Serra Akcan and Çiğdem Üçüncü. We have been working together since 2012 in the Turkey-based photographers’ collective NarPhotos and have continued our collaboration even after we had to disband the group in 2021. We strongly believe in the empowering and elevating aspect of group processes since everything we experience - and also witness via our lenses - is not only personal, but political. That’s why we are in the making of founding the first ever women and queer photographers collective Zîn (Kurdish for «life») in Turkey’s history. During this process, we have paid attention to understanding the issues that deeply affect us and the society we live in, documenting and narrating stories by using a visual language that is most natural to us. We predominantly produce photography and multimedia works focused on issues such as migration, environmental issues, gender, war, social injustices and urban transformation.”

Aylin Kizil, Turkey

See the full portfolio on this website

-Eyes on Main Street Photo Reportage Grant 2022 recipient:

Raffaele Petralla


Remains of the Secret War in Laos

Laos is the country that detains "the most per capita bombs in history". More bombs have been released on Laos than those dropped on Europe by the U.S. and Nazis during the Second World War. From 1964 to 1973 the U.S. Air Force dropped the amount of 270 million cluster bombs on the region - an average of one every 8 minutes - as part of a long military operation that was kept secret until 1991.

According to the National Regulatory Authority for Unexploded Ordnance, 30% of these bombs have remained unexploded causing 50,000 victims; 20,000 since the end of the war. This deadly legacy continues today to threaten the lives of thousands of communities in Laos. They still find themselves surrounded by unexploded ordnance: it will take about 150 years to reclaim the entire territory.

Laotians have spent about 20 years trying to escape the bombing, taking refuge in thousands of forests and caves where they've built schools and hospitals.

Most of them don't want to enter the caves anymore, because the presence of negative spirits caused by atrocious deaths are still present.

There are all kinds of bombs scattered everywhere underground, hidden among the vegetation but also exposed on the streets, shops, ready to be sold and recycled.

UXO Lao - Lao National Unexploded Ordnance Program - with the help MAG - an international NGO -, constantly operate in teams to clear community land from unexploded bombs.

In some remote villages bombs are used as pillars for houses while others villages base their business on the creation of everyday objects such as spoons, bracelets and pots, obtained from the recycling of bombs, missiles and even American B52 aircrafts, which have become fast canoes used to go fishing.

I started this project in Laos between November and December 2019 with the aim of documenting the remains of what was called the "Secret War" (1964-1973).

Raffaele Petralla, Laos

EOMS is proud to support this very important body of work. The full reportage will be exhibited during the 9th edition of Eyes on Main Street (June 1  to July 31, 2023)



-Andria Hautamaki was the 1st recipient of our new Photo-Reportage Grant in 2019. She worked around the school system in very remote parts of Southern Chile, this reportage was published online by The New York Times.


-Natela Grigalashvili was the 2nd recipient of our Photo-Reportage Grant in 2020. Because of the world health situation in 2020, the reportage had to be postponed to the Spring of 2021. Natela used the grant to complete a reportage around "The Doukhobors Land", that she started several years ago, in Georgia, Europe.


-Irene Barlian, the 3rd recipient of a grant in 2021. Irene worked around her project "Land of the Sea", a story about climate change at the northern coast of Java, Indonesia, through the unique perspective of the community that resides along the region. The majority of the 95.181 km (60,000 miles) of the coastlines in Indonesia are on the brink of inundation with the constant peril of rising sea levels.


-Rachel Wisniewski, the 4th recipient of a grant in 2021. Rachel worked around her Jewish identity and her project "L'Dor, Vador", where she documented the experience and pressure of coming-of-age as a Jewish person by focusing on a specifically Jewish American coming-of-age ritual: sleep-away camp.


Irene Barlian, Java, Indonesia

Rachel Wisniewski, California, USA

Andria Hautamaki, Southern Chile

Natela Grigalashvili, Georgia

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